Indridason

Arnaldur Indridason took the international crime fiction scene by storm after winning England’s CWA Gold Dagger Award for Silence of the Grave. Now, with the highly anticipated Voices, this world-class sensation treats American readers to another extraordinary Inspector Erlendur Sveinsson thriller.

The Christmas rush is at its peak in a grand Reykjavík hotel when Inspector Erlendur Sveinsson is called in to investigate a murder. The hotel Santa has been stabbed, and Erlendur and his detective colleagues have no shortage of suspects between hotel staff and the international travelers staying for the holidays.

But then a shocking secret surfaces. As Christmas Day approaches, Erlendur must deal with his difficult daughter, pursue a possible romantic interest, and untangle a long-buried web of malice and greed to find the murderer.

One of Indridason’s most accomplished works to date, Voices is sure to win him a multitude of new American suspense fans.

Inspector Erlendur returns in this gripping Icelandic thriller When a skeleton is discovered half-buried in a construction site outside of Reykjavík, Inspector Erlendur finds himself knee-deep in both a crime scene and an archeological dig. Bone by bone, the body is unearthed, and the brutalizing history of a family who lived near the building site comes to light along with it. Was the skeleton a man or a woman, a victim or a killer, and is this a simple case of murder or a long-concealed act of justice? As Erlendur tries to crack this cold case, he must also save his drug-addicted daughter from self destruction and somehow glue his hopelessly fractured family back together.
Like the chilly Nordic mysteries of Henning Mankell and Karen Fossum, Arnaldur Indridason delivers a stark police procedural full of humanity and pathos, a classic noir from a very cold place.

A man is found murdered in his Reykjavík flat, and the police have no obvious leads. The man lived alone and had no family, and of his only two friends, one is serving time for an array of petty crimes and psychotic violence, and the other hasn’t been heard of for twenty-five years.

Erlendur and his colleague Sigurdur Óli head the investigation team. They find a computer filled with downloaded pornography, and in a desk, the photograph of a young girl’s grave and the cryptic note left behind by the killer. Delving into the dead man’s past, they discover that forty years ago he was accused, though not convicted, of rape. Now Erlendur has to follow his instincts when his colleagues are losing faith in the investigation. Foraging into the past, Erlendur discovers that the city of Reykjavík has one or two secrets of its own, secrets it would rather keep.