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2010: #73 – Metro Girl (Janet Evanovich)

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Alexandra (Barney) Barnaby roars onto the Miami Beach scene in hot pursuit of her missing baby brother, “Wild” Bill. Leave it to the maverick of the family to get Barney involved with high-speed car chases, a search for sunken treasure, and Sam Hooker, a NASCAR driver who’s good at revving a woman’s engine.

Engaged in a deadly race, Bill has “borrowed” Hooker’s sixty-five-foot Hatteras and sailed off into the sunset…just when Hooker has plans for the boat. Hooker figures he’ll attach himself to Barney and maybe run into scumbag Bill. And better yet, maybe he’ll get lucky in love with Bill’s sweetie pie sister.

The pedal will have to go to metal if Barney and Hooker want to be the first to cross the finish line, save Bill, Hooker’s boat…and maybe the world.

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romance 

2010: #72 – Tell Me Lies (Jennifer Crusie)

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If you think small-town life can be boring–think again. There are complex social rules: there are certain people with whom you fraternize and those you don’t, and, of course, there is the all-powerful gossip. Everyone knows everything about everyone else. Don’t they? That’s what Maddie Farraday thinks until she finds a pair of black crotchless panties in her husband’s car that don’t belong to her. That’s it; Maddie’s had it. She’s ready for change, and the first thing she’s going to do is divorce her no-good, philandering husband Brent. But then everything goes haywire: Brent turns up dead, Maddie’s daughter wants a dog, her best friend is suddenly acting very strange, and Maddie’s secret boyhood crush, bad boy C. L. Sturgis, arrives in town after a 20-year hiatus–and he’s as sexy as ever. You may laugh out loud at the wild and crazy antics in Jennifer Crusie’s exceptional novel, but you’ll exclaim with delight over the sizzling, dynamic, passionate affair between Maddie and her first love, C. L.

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police procedural 

2010: #71 – The Black Ice (Michael Connelly)

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Narcotics officer Cal Moore’s orders were to look into the city’s latest drug killing. Instead, he ends up in a motel room with a fatal bullet wound to the head and a suicide note stuffed in his back pocket. Working the case, LAPD detective Harry Bosch is reminded of the primal police rule he learned long ago: Don’t look for the facts, but the glue that holds them together. Soon Harry’s making some very dangerous connections, starting with a dead cop and leading to a bloody string of murders that wind from Hollywood Boulevard to the back alleys south of the border. Now this battle-scarred veteran will find himself in the center of a complex and deadly game-one in which he may be the next and likeliest victim.

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